As you likely heard, on Monday, current subscribers to Transworld received notice that March / April 2019 would be the magazine’s final print issue. And in what made me initially think they had to be trolling, the remainder of everyone’s subscriptions would be replaced by issues of Men’s Journal. Associate editor, Mackenzie Eisenhour, wrote on Instagram that TWS would continue producing digital content, though he will no longer be with the mag.
I sat for a couple of days thinking what to write about the #2 Skateboard Magazine’s demise (which spent some years as the #1 Skateboard Magazine, depending on who you ask) without only veering into nostalgia that has very little to do with how we got here, and without “print is dead! long live print!”-isms. The average 2019 skateboarder’s attitude to legacy media can be summed up as “I’m happy magazines exist” at best — and that is simply a symptom of where media and our collective attention spans are now.
Rodney by Reda, behind Pyramid Ledges from the June 1998 TWS via Ted Newsome’s “New York Minute” spreads. This spot would be extra contemporary today had it not been knobbed for ~two decades.
“Words are escaping me, you’re talking about people I have a strong emotional connection to.” Torey Goodall’s Bunt interview is reaffirming proof of the fact that if you just go on enough drunken trips to New York, things sometimes just kinda work out in the end ♥ Just don’t ask him how he feels about Charles Rivard…
“Don’t mansplain tricks. Get out of here, you’re taking the fun out of skating. If you just go away, I’ll be so much happier. Half the fun of learning is doing it yourself.” Imagine having the audacity of giving Lacey Baker unsolicited trick tips. Anthony “The Writer” Pappalardo wrote an extended profile of Lacey for Huck magazine.
“Bontó” is the latest from the Rios boys, Europe’s most productive crew, and specialists in skating spots that I have absolutely zero interest in ever skating ;)
Johnny Wilson [depicted above] broke his collarbone this past weekend and needs some of your help covering his medical bills. Please donate here. He promises to post weekly video blogs again once he’s recovered jk.
“What’d you do last night?” “Got choked up watching twenty-year-old footage of people I’ve never met before.” Manolo’s FTC remix video is I N C R E D I B L E. It’s twenty minutes long and an emotional rollercoaster that reminds you how beautiful skateboarding is, how amazing all the friends you meet in it are, and how manyperfectsongs have been born via “Munchies For Your Love” samples.
“Once I finished the Sideyard, I didn’t have anything else to work on. I started having ideas of stuff to do with mold-making because I was doing so much of that at work, so I started building little concrete sculptures.” — Zach Baker interviewed my favorite skater, Max Palmer. P.S. I have seven or seventeen favorite skaters.
To supplement that psychotic part Oski dropped last week, Free Skate Mag compiled a bunch of his scattered clips throughout Instagram and montages to make a summer remix. That three back 360s line omg.
After a twenty-plus year run on Ludlow Street between Hester and Canal, the photogenic bar that was most photogenically [switch] ollied over by Quimothy Cardona and most recently ollied over by Michael Carroll (also a one-time nearest spot to the G-Man’s circa 2009 flophouse residence, and the ender in the second QS clip ever), has been replaced by a much higher, un-ollieable bar (until Aldrin Garcia shows up or something…) Thanks to James from Labor for the tip.
A heartwarming / potentially tear-inducing Christmas gift from the most astute golden era Girl/Chocolate nostalgists working today: Goldfish extras, remixed.
Thanks to the crew at House of Vans for getting rid of the bowl that even people who are good at skating bowls didn’t like (i.e. Corey Rubin…the only person I know who’s good at bowls), and maximizing on all the space it freed up. If you have any New York-based friends who work for Vans, they’re gonna hate you by March ;)
“I even remember being quite shocked at the response during the premiere in Sheffield. I recall that there was a UK DC tour coming through and the same guys that owned the distribution that focused on DC – and all the USA board brands – looked heavily bummed at the impact the premiere made. It seems they might have been right, as the video was the heralding of legit UK companies.” Sidewalk with a detailed oral history on the video that more-or-less introduced an entire post-900/THPS generation of Americans to British skateboarding, Blueprint’s Waiting for the World.
Let’s end the last Monday Links post of the year off with 2015’s drunkest song.
P.S. In anticipation of #another #year, here’s one last chance to take 25% off the remaining goods in the webstore. Enter promo code “anotherone” when buying anything. Expires at midnight. Thanks for all the support throughout 2015.
