The World Trade Center — with its centerpiece, the Twin Towers — opened just a few months before the Knicks won their second championship in 1973, and symbolized a new, modernized era of New York City. As literal twins, the Towers are excellent symbols for the push and pull of capital versus culture which, by the 70s, was really coming to a head in American society. They were the biggest buildings in the world and just one wasn’t even enough.
If you can’t make it out on Saturday, don’t forget to help circulate the petition to keep turf off the asphalt at Tompkins Square Park. If you’re sharing any reflections or memories of what this park means to you on social media, please be sure to tag any posts with #savetompkins.
“One thing Jones has that a lot of pro skaters don’t is a bunch of hardheaded friends who are willing to bring city life to a halt for him.” Can’t imagine there’s a single person who reads QS that hasn’t already read Willy Staley’s incredible profile of Tyshawn Jones for The New York Times, but also don’t think anything else could justifiably be the first link this week.
“The further uptown you went, the quieter and more desolate it was. And the more you could get away with.” While on the topic of #MSM #skate #coverage — never knew about this 2005 New York Mag article about Andy Kessler and the original Zoo York crew of the 1970s-80s. (So nice that we have evolved and endured enough to avoid calling things “Dogtown East” now hehe.)
Eli Gesner found this 1995 clip of Peter Bici skating in front of the Met at 6 A.M. Wonder what club they had just left ;)
Johnny Wilson [depicted above] broke his collarbone this past weekend and needs some of your help covering his medical bills. Please donate here. He promises to post weekly video blogs again once he’s recovered jk.
“What’d you do last night?” “Got choked up watching twenty-year-old footage of people I’ve never met before.” Manolo’s FTC remix video is I N C R E D I B L E. It’s twenty minutes long and an emotional rollercoaster that reminds you how beautiful skateboarding is, how amazing all the friends you meet in it are, and how many perfect songs have been born via “Munchies For Your Love” samples.
“Once I finished the Sideyard, I didn’t have anything else to work on. I started having ideas of stuff to do with mold-making because I was doing so much of that at work, so I started building little concrete sculptures.” — Zach Baker interviewed my favorite skater, Max Palmer. P.S. I have seven or seventeen favorite skaters.
Black Sheep Skate Shop’s second full-length video is now online.
To supplement that psychotic part Oski dropped last week, Free Skate Mag compiled a bunch of his scattered clips throughout Instagram and montages to make a summer remix. That three back 360s line omg.
You’re doing pretty good if the biggest regret of your career is only riding for Quattro Wheels. Chromeball interview #101 is with 101 rider, Eric Koston.
Here’s fifteen minutes of Walker Ryan New York raw footage, including a good bit of B-sides that weren’t in the reedit video from a couple weeks back.
The POP videos are one of our favorite (and oddly enough, most underrated) montage series coming out of Europe. Someone made a 15-minute POP remix.
Louie Lopez had to give his report card to his first shop sponsor in order to get on the team, and Pontus Alv looks through some old boxes.
Skate Muzik Episode #6 is with Peter Bici.
QS Sports Desk Play of the Week: Ewing Theory™ for the win!
Quote of the Week: “Yo, do you wanna hear some bars?” — Slicky Boy, 2:30 A.M. on the dance floor of a China Chalet party
Be yourselves y’all. Baby you’re a firework ♥
“Yoooooooo, I heard she lives off the Kosciusko J.” “Yeah, I think I saw her at Five Leaves once.” ♥
Alien Workshop’s forgotten legacy: Ass shot 360 flips.
The clearly Bronze-inspired Bev video is a fun watch. Troy’s part is sick, and Kasper’s ender at the 23rd Street hospital is something that footage can’t really do justice to.
If you’ve seen one skateboarder’s “Day in the Life” clip, you’ve seen them all — EXCEPT only one has footage of Daniel Lebron skating flat in it.
Muckmouth tracked down Peter Bici, Ryan Hickey and even Henry Sanchez (who was the only glaring omission from the FTC book…he’s not very talkative here though) for their endless “Where are they now?” series.
Kennedy Cantrell’s part in the Dallas-based Burnt Out video solid. He goes over a moat mid-line. Full vid here. His part is at the 28-minute mark; haven’t had a chance to watch the full video yet. “They hatin’ on us ‘cuz we out here!”
Dylan Goldberger / James has a new part out for Coda Skateboards. Is that part he had in the Prizefighter video two years ago still online? Can’t find it anywhere.
The Tumblrverse scanned Big Brother’s 1999 article about fashion and skateboarding, which explains the origin of the Bob shirt, among other things. To all you other skateboard media institutions: Dibs on a 2014 remake.
The Spectacle Theater (S 3rd Street in Williamsburg) will be playing Memory Screen on June 10th at 8 P.M. Chris Carter and Duane Pitre will be in attendance, and will hold a Q & A after the video.
They’re making a documentary about Kids. On one hand, you’d like to wish that everyone would stop mining one of the most easily mineable relics of nineties nostalgia and focus elsewhere (Huf Epicly Later’d!), but on the other hand, last year’s Narratively article about the making of the film was better than the movie itself. A 90-minute version of that would probably be awesome.
New York is still sketchy if you look hard enough.
QS Sports Desk Play of the Week: Kawhi Leonard is the Sports Desk’s new favorite non-German player over 6’3. Spurs in six?
Quote of the Week
Tufty: “We need to get beers.”
Waste: “There are 18 back at the house.”
Tufty: “That’s not enough.”
R.I.P. to the S 2nd and Havemeyer Social Club.
The new Twitter sucks. Who’s going to Future tomorrow?
In the introduction to his interview with Zered Bassett, Chris Nieratko details how Zoo York was once a source of pride for east coast skaters. A few buyouts and a decade later, nobody sets up a Zoo board with a geographic bias in mind anymore. Even if the company completely phases out of skating, people will forever nerd out over their first three videos (Mixtape, at this point, is just as much of a hip-hop classic a la Wild Style or Style Wars as a classic skate video), and chances are, most who began skating after Zoo ceased being any sort of an east coast status symbol have seen those videos and cried about how all the spots are gone.
You can’t type “zoo york ads” into a Vimeo search bar and get any results, so a lot of younger kids won’t see the old Zoo ads. (They probably won’t see the new ones either…do kids still look at magazines?) Those ads are just as full of classic nineties east coast iconography as the original videos.
The Zoo ads throughout the nineties were “MAD HIP-HOP YO,” at a time when that meant more than leaving comments about how Lil’ Wayne sucks on every pre-2000 rap video’s YouTube page. Other companies even jocked their whole hip-hop scrapbook vibe when it was appropriate: Transworld styled article layouts for east coast skaters with Zoo’s look (see here), west coast companies would run Zoo-esque ads for their east coast riders (see here and here), and start-up east coast brands like Illuminati, Metropolitan, and Capital all had a bit of Zoo DNA in their ads. It’s unfortunate that now, even when paired with a sick photo, Zoo ads look pretty generic.
Thanks to the internet’s leading scanner-based skate sites, we gathered a handful of ads from 1994-2000 into one place. The scans are stolen from The Chrome Ball Incident, Police Informer, and Skate.ly.