Lost In Translation — The Alluring Difficulty of Skateboarding in Tokyo

Legos not Lagos

Tell another visitor the truth about street skating in Tokyo and the response is between an eye-roll and defensive denial.

The truth: Tokyo is [deep breath] …not that good for skateboarding.

Ok, wait! Don’t start yelling! Are there spots? Yeah, there are. Are there tons of incredible skaters from there? Yes, a lot. Is there a vibrant skate scene? Yes, yes, and yes. Does it have quite literally the friendliest, most amazing locals on earth? Good God, a million times yes. Tokyo has incredible skateboarding culture, but when you find yourself a tourist there, you soon realize this previously unfathomable truth: you’re more likely to come home with five expensive jackets you don’t actually need, rather than five tricks you’re happy with for a video.

This past October was one of those great groupthink travel moments where many diverging crews all happened to be in Tokyo at roughly the same time (a la that one January when literally every New York skater was in Barcelona at once.) As we’d cross paths with newcomers, the following interaction became commonplace.

“Have you guys been skating a bunch since you’ve been here?”

“Er, um, not really, no.”

“What do you mean?”

“It’s um…kind of hard to skate here.”

Cue the “You guys are probably just hungover everyday,” or worse, the proverbial “We’re more ‘core’ than you” subtext that assures the denying party will have an easier time being productive in Tokyo than you have.

Until you run into them the next time, and they concede to reality.

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End of the Year Fall Off List

Been slow around here, as recent injuries have taken their toll on office morale, but December is always busy. QS holiday 2017 tees are now available at Supreme Soho and Brooklyn. Arriving at other shops this week and next. Online soonish?

Probably one of the most fried concepts for a recent skate video, but in the best way possible — Kyota Umeki filmed an entire skate video on a Nintendo 3DS with a fisheye taped to it. 90% of it is filmed within like, five blocks of the L.E.S. Park. I also have “Groove Is In The Heart” stuck in my head now, great.

The crew behind Newark’s Shorty’s spot (R.I.P.) was allotted a piece of land by the city, in which they have begun to build a bowl. They’re looking to raise money for supplies, concrete trucks, etc. to speed up the project. If you’ve been to Shorty’s even once, please donate whatever you can so they can continue forward with the Shorty’s spirit ♥

People are insane. They don’t wanna see you shining on a nollie crook in Tribeca.

Bobby Worrest has a comprehesive interview with “The Nine Club,” with a detailed discussion re: the lost art of skate spot politics and east coast aversion to wax. (His favorite Bobby Worrest part is also “Looks Ok To Me.”)

“The single biggest casualty of single parts is there’s no extra bullshit.” Abada has an interview with The Secret Tape, the guy who owns every hardcopy skate video besides the premiere copy of Photosynthesis.

Genny, Nik Stain, Andrew Wilson, Nolan, etc. with an iPhone clip from Portland.

Pat Buckley has been posting a bunch of Dobbin Block-era photos of Caddo, Frankhouse, Mraz et al. over on Tumblr.

A minute-and-a-half of 2017 Brian Wenning footage, who is apparently back on DC.

Harry Bergenfield has a six-minute, half-New York throwaway clip up now. A lot of clips have been starting off with fights lately, huh? Angst still running strong ¯\_(ツ)_/¯

Kept forgetting to link this one: Miami’s Andrew skate shop crew on the west coast.

^Someone tell 2005 Erik Ellington that this thick shorty is looking for him, insofar as the pork pie hat guy doesn’t get to her first.

Well, this video is going to be pretty fucked

It gets better every time you watch it. Shout out Australia.

QS Sports Desk: Imagine if the Knicks did a subtler trust the process-esque strategy instead of doubling-down on iso-Melo and then trying to force the triangle onto the modern NBA for the past decade? Eh.

Quote of the Week:

— Charles Rivard

Happy birthday Future. No clue how we’d get through life on this planet without you ♥

Fall Colors

schaffers

Photo via Shaqwaker on IG. “A little this, a little that, a little bit of everything…”

Rob Gonyon might have the most fire iPhone videos out right now. Features a few clips from the yet-to-be-fully-completed East Williamsburg Bushwick Skatepark.

Can’t remember the last time a bunch of people in New York kept bringing up a foreign Vimeo upload as much as the Parisian “Daydream” clip from last week.

Mango and friends skating #weird stuff around New York for three minutes.

Boil the Ocean on all potential S.O.T.Y. candidates. I’ll buy everyone who reads this site a crook shove at the bar if it ends up not being A.V.E. In related news, a Max Palmer two-peat is not entirely impossible for Q.S.S.O.T.Y.

This dude does maybe the greatest backside 180 5-0 grind ever done as his ender. It looks like a full-on manual. Thanks to Mostly Skateboarding for pointing that one out.

Nice to see Zeigfeld still sorta existing post-apocalypse.

Chromeball has a great interview with Thomas Campbell about the early days of skate magazines, which also touches on the making of the first Supreme video / short film from 1996. “Some people had beef with those [Euro] articles because they felt those countries didn’t support skateboarding. Whatever. Who cares. We’re on the Earth. Go skate whatever you want.” You heard your boy Mars got water now?

Mike Carroll on #musicsupervision and…Lupus.

Speaking of Carroll, SMLTalk tried to get to the bottom of the varial flip’s re-accepted place in the trick selection landscape, i.e. how it went from getting boo-ed at contests to perfectly fine to throw mid-line in 2015.

KCDC built some new stuff under the B.Q.E. thanks to the DLX build project.

QS D.I.Y. Desk (jk, that’s not real): Some chill early nineties photos from Burnside.

Quote of the Week:

josh-500x81

— Josh Velez

Probably The Chillest D.I.Y. Spot in the World — Yume Farm in Narita, Japan

yume farm pano 1

yume farm pano 2

Japanese culture is well known for its attention to detail. They seem to master what they pursue, sometimes even surpassing original versions of things synonymous with other countries. Why else do Americans fly to Japan, convert dollars to yen, and spend money on superior Japanese versions of traditionally American products? So in hindsight, it shouldn’t have come as a surprise to learn that the most impressive D.I.Y. spot I’ve ever seen — save Burnside, FDR and places that have been around for twenty-plus years — was in Japan.

There is minimal English information about Yume Farm on the internet. It is an actual farm and campsite, serving as a hour-away escape from Tokyo life for anyone willing to make the drive. The skatepark though — …doesn’t make a lot of sense. It’s a smooth island of concrete in the middle of the woods. It sits on a mellow slope and there is no sign that it was ever a building foundation. The only story behind how it came to exist was “three years ago, the park gave it to the skaters and said they could build whatever they want on it.” The people who brought us here had last skated it three months prior, and in that time, the entire tall transition section got built.

yume farm pano 3

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#TBT on a Wednesday: Traffic in Japan

ricky

Re-discovered this gem after Eli’s all-Tokyo part came out yesterday. Why are all-Japan parts totally chill, while all-China parts are totally “boring?” Do people just pack way sicker fits when traveling to Tokyo? Is it because Ricky said Japan was cool?

Sidebar: Pretty sure the problem with skateboarding in China isn’t China. The third biggest country on earth isn’t somehow devoid of the cutty sort of stuff that you see in the Eli part, Quim’s Overcast Broadcasting part, or Silas’ Adidas thing. It’s just pretty tough to pay any attention to some cutty wallie spot when there are ten flawless plazas a block away. Send Polar, Traffic or probably any Theories-distributed brand to Shenzhen or Shanghai, and every commenter will be lauding the “new way to skate China!”-narrative for a straight month. All it took was the GX dudes to skate the Universitat benches the wrong way for everyone to say all those “blown out” Barcelonian spots look “fresh” again.

Leave China alone, guys. They have enough problems without you telling them their flawless public spaces look “boring” on the internet.

ANYWHO, Japan is having a moment this week, and this Traffic clip from 2010 — described as Ricky’s “last hurrah” in the final episode of his Epicly Later’d — is a fun watch. Happy Thanksgiving.

“I don’t try hard tricks anymore.” — Jack Sabback, 2012

P.S. Ricky hates surfers