An Anti-Hero #tfreport & Beyond

It’s funny how much the mere existence of a quarterpipe within the Tompkins fence recalibrated the way that place is skated, and the tricks people do there. A few months ago, having heard that the Anti-Hero team is at T.F., nobody would fault you for thinking, “Why the hell is the Anti-Hero team wasting time at Tompkins? Wouldn’t that time be better spent at the Chelsea park?” [Spoiler: they make it to the Chelsea park. Phew.]

But instead, you have Gus Gordon climbing atop the brick pillars back by the bathrooms (both the perma-under-construction ones and the makeshift one that was born out of necessity), and Grant Taylor using that very same quarterpipe to stall atop of them. With that and the perpendicular couch ollie seen above, you likely have the two highest clearance tricks ever done at Tompkins. (Look at bro in the background wearing the green shirt.) Can’t wait to build a loop there when we make our first million and recalibrate shit again.

More »

#QSTOP10 — November 15, 2024

“No way that’s the guy. No WAY that’s the guy?!”

Could have all been GX, but everyone has been mainlining that video all week. Deferred Mr. Greene’s ender on the off chance you haven’t caught the full thing yet, just because that clip didn’t feel like it was all over the timeline yet. But yeah, could’ve been an easy #1. Some weeks, the obvious is the best policy. Others, you gotta leave the element of surprise in, yaknow?

Otherwise, we all know that Sahbabii is the real S.O.T.Y. of the past week for dropping the A.O.T.Y. 🦑 Literally 18-for-18.

More »

Tokyo Report — ‘HARQ’ by Daichi Sekiguchi

“HARQ” is a new edit by Daichi Sekiguchi out of the night skating capital of the world. It found its way to the QS pitchdesk when Daichi happened to see Genesis Evans on the street in Tokyo last month, and insisted he record a video message via Genny’s phone to send to the QS company line with a pitch to host it. Certainly a first, but Genny’s approval goes a long way around here.

The video features the current generation out of Tokyo, and ties together a bunch of the crew that works and lurks at Supreme Tokyo under one moody, six-minute edit that feels like it could be out of any era.

More »