20 Years of Girl: The Ben Sanchez Tribute Post

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Before anything: Manolo’s Tapes went live with an incredible retrospective of all the Girl and Chocolate videos yesterday. We can talk about Keenan’s switch flip, or how ahead of its time each Koston part was, or all the crazy stuff Marc Johnson has done, but let’s talk about some real shit…Ben Sanchez.

A longtime personal favorite Chrome Ball post is the dual tribute to Ben “Burger Boy” Sanchez and Shamil Randle. For a pair of twenty-year-old companies, very few of their riders have been afforded the ability to fade into obscurity like those two, and nostalgic reminders of less prominent names are among the greatest joys of The Chrome Ball Incident.

If Richard Mulder, Mike York, Chico Brenes were the seventh, eighth and ninth guys off the bench, then Ben Sanchez was something like the twelfth. Not to sound like a broken record, but the era when Girl and Chocolate were a batch of the best skaters alive surrounded by dudes who were more style than pushing the envelope is the one we most frequently put on a pedestal. Those guys helped the videos feel more like skate videos, and less like blockbusters. Koston and Guy were there to show you how good skateboarding could possibly be. Mike York got you hyped to try some pretzel spin noseslide combo that inevitably ends with a tic-tac. Ben Sanchez, on the other hand, was the guy who made you remember, “Damn, I haven’t done a half cab noseslide in a while.”

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10 Cent Deposit: The ‘Lost’ Josh Kalis Part

lost kalis part

Someone ripped the Josh Kalis part that nobody knew about from 10 Cent Deposit, the 2004 shop video for Premier Skateshop in Grand Rapids, Michigan.

The part seems to be from the same time period as The DC Video, since the switch frontside flip he does down the double-set also ended up in the bigger part. Much of the footage is “throwaway,” and likely would have never made the cut for a shoe company project, especially considering half of it is in a skatepark. But really, is there anything better than watching Kalis knock out five tricks on a Euro gap or skate a ramp to Triton barrier in sweatpants (more on that tomorrow)? For all the talk that gets thrown around on this site regarding the best flip tricks, there truly is only one dude for that throne, and it’s Kalis. (Also is he wearing red Dunks in some of the footage, or is that a DC model with something that looks like a swoosh on it?)

Thanks to the original uploader.

Also Kalis + Midwest + Mid-2000s Related: Kalis’ part in the 2006 Uprise Skateshop video, Chicago’s Finest

Quim Cardona: Non Fiction 2

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This is perhaps the most glowing example of “How-did-I-not-know-this-existed?” in recent QS history. Our 2011 re-edit was somewhat of an unofficial addendum to Quim’s section in Non Fiction, but this part is the closest you’re going to get to an official sequel, and quite obviously put together with that original video in mind.

Overground Broadcasting is a Japanese video from 2008, edited by Morita Takahiro. Some word of its existence made it over to the States, except they didn’t promote the fact it had a five-minute Quim Cardona part nearly as much as they should have. The footage comes from two month-long Tokyo trips made in 2003 and 2006, with some bits of early-2000s, Zoo York-era Quim footage sprinkled in towards the end. (Some of it wound up in issues of E.S.T.)

As a guy whose more-discussed stylistic hallmarks have always been oddball spot and trick selection (e.g. heelflip body varials), pop, and “drunken monkey” arm gestures, it has been easy to forget Quim does some of the best-looking flip tricks in skateboarding. Even with three candidates for “Best Switch Flip Ever Done” to his name (off the curb cut in Non Fiction, over a concrete barrier off the curb across from Union Square, and the one where he was the only dude to get air off the bank at Riverbank Park), he still gets left out of the “Best Flip Tricks” conversation, which, as you may notice, we have on this website a lot. The fakie flip on flat, not to mention the backside flip and switch flip over the metal bar in this part, are reason-enough to merit more frequent inclusion alongside Kalis, Stevie, J.B., etc.

Nice of this to surface a week after we discovered Quim was originally supposed to have a full part in Eastern Exposure 3.

#TBT: Follow Ryan Gee on Instagram

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How did the Ryan Hickey photo from Monday’s post manage to evade even the most resourceful scanner-based skateboard websites? Because it never appeared anywhere significant (Police Informer or Chrome Ball would’ve caught it by now) prior to Ryan Gee’s recent barrage of unseen 35mm scans from the nineties. Everything he’s been posting is east coast-centric, with a lot of Gino, Oyola and other favorites.

Say what you will about instant gratification eroding the staying power of media consumed online, but it’s likely that some of these photographer’s B-sides would’ve never seen the light of day without Instagram. (Flickr never really popped off with skateboarders.) Gee has been posting two or three each day and doesn’t seem to be slowing down. It is pretty much the only non-@badgalriri account that is an absolute must-follow. Turns out Instagram is great for things besides lonely girls with unique lighting techniques (♥♥♥), and making you feel like you’re missing out on stuff that probably sucks (omg #fomo follow me plz thx.) Now, if only Reda and Dimitry Elyashkevich started posting some of their archives…

Follow him via @ryangee_photo.

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Firing Line: Artsy Edition

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Long lens lines are chill. Though with our multi-decade dependence on fisheyes, they come few and far between. It’s tough to think of one from a classic video short of Ricky Oyola’s ollie into traffic line from Eastern Exposure 2, which certainly would’ve had its impact dulled a bit if the filmer ran up on the ledge to follow him or something. Much like Vine, you probably had to have attended film school in order to be good at filming lines without a fisheye. Framing, zooming, it’s a whole process.

Strangely enough, keeping the fisheye off sometimes gives you a better glimpse of how gigantic certain skate spots are, probably because we’ve grown jaded of seeing the same crouched down at the bottom of the steps angle with so many of them. This long lens version of Flo Marfaing’s infallible “Skateboard Line Hall of Fame” entry from the They Don’t Give a Fuck About Us bonus footage falls into that category. In the part’s fisheye version, it’s more of a “Oh, he’s skating the two big hubbas in Paris, that’s crazy” reaction. The fisheye angle doesn’t really drive home the fact that he ran the risk of falling over a fifteen-foot drop on two occasions in the same line. From the top of the spot, you might get the best view of this exemplary feat of line choreography. Still can’t think of anything like it done in the decade since…

P.S. Is there a scan of that Skateboarder “Greatest Lines in Skate History” article from the mid-2000s online anywhere?