Came to Sicily For Nothing

Knowing that that the Lotties video featuring Nick Michel’s breakthrough part was due out any day — and that Nick would soon be fielding offers from SpaceX, the Golden State Warriors and Goldman Sachs — Chris Milic, the eclectic C.E.O. of Frog Skateboards, had to act fast. The window to remind his star teamrider about skateboarding’s humble joys was closing, as he would soon be speeding down the Pacific Coast Highway in a Lamborghini Countach, on the way to his first billion.

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QS Book Club: Head of the Lion, by Claudio Majorana

All product photos courtesy of The Palomino

To an outsider, Sicily feels like a skateboard fairy tale. It is where Mauro Caruso filmed a part in a ghost city once intended to be an eminent destination for art lovers. It is where Jacopo Carozzi et al. found an abandoned post-WWII era seaside resort that seemingly shares ancestral DNA with a skatepark. Almost every spot in Danny Brady’s “Welcome to Palace” part that isn’t British crust is in Sicily. A seasoned Euro T.M. once told me that it’s the best spots/cost/wow-factor combo for a not-obvious skate trip in all of Europe. The Dime guys echoed that sentiment, saying Sicily was maybe the best trip they had ever been on — oh, and, a volcano erupted while they were there.

Except what do any of us know about Sicily’s skate scene? Outside of that Mauro Caruso coverage, practically nothing. The aforementioned T.M. said that you need to pay a guide to drive you around to spots and handle things, because otherwise, you’re pretty much helpless.

Claudio Majorana is an Italian doctor, photographer and skateboarder. Head of the Lion chronicles six years (2011-2017) that he spent photographing a group of young locals in the suburbs of Catania, Sicily. (Catania is Italy’s 10th largest city.) It is the exact opposite of his first skate book, 2015’s The Recent History of Sicilian Skate Tours, which is about just that: foreigners skating Sicily.

The title refers to a cliff from where the crew would jump into the ocean, a rite of passage that signified they were no longer kids. Between a prologue and epilogue of blown-out video grabs, are photos of play-fighting, teenage make-outs, and religious ephemera — staples of any photo book about youth.

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