The Best Skateboard Videos of the 2010s — QS Reader Survey Results

Illustration by Cosme Studio

This was the decade that the full-length skate video was supposed to die. We began the 2010s with everyone insisting that Stay Gold would be the last full-length skate video. Then, Pretty Sweet was supposed to be the last full-length video. Some people thought that Static IV would be it — the end, no more full-lengths after that. But I feel like I heard someone say Josh was working on something new a couple months back? Idk.

The experience might’ve changed. We’re not huddling around a skate house’s TV covered in stickers to watch a DVD bought from a shop anymore (if this past weekend is any indication, it’s more like AirPlaying a leaked .mp4 file via a link obtained from a guy who knows a guy), but the experience of viewing a fully realized skate video with your friends for the first, second or twentieth time is still sacred.

Just as we asked for your votes for the five best video parts, we did the same for the five best full-lengths: if you could choose the five videos that defined the 2010s, what would they be? The results were a bit more surprising than the parts tally in some ways, given that it felt like independent, regional and newer, small brand videos dominated the decade, yet Big Shoe Brands™ and Girl + Chocolate still made their way into the list. The top-heaviness of some companies or collectives was less of a surprise, in that certain creators loomed large over the 2010s.

Like the installment before it, this list is sans comment for 20-11, and then via favors from writer friends for the top ten: here are the twenty best skate videos of the past ten years.

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Five Favorite Parts With GX1000

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Photo by Richard Hart
Intro & Interview by Zach Baker

Ryan Garshell is committed to the craft of filming in as literal of a sense as imaginable — the only way he bails on a hill bomb is if a car literally forces him off his board. While some put their energy into production value, weird archival footage and editing, GX’s preoccupation is portraying skating’s rawness and lasting criminality. Garshell is skating’s largest proponent of the camera that Bill Strobeck threw in the trash a few years ago, and his filming is often as fucked as whatever is going on in front of the lens. As the skater, there must be some added incentive to land tricks when you know that your filmer will see the clip through no matter how steep the hill, how bummed the homeowner or how many cops are present.

GX1000 managed to create a style of video that is completely unique — an aesthetic that is so hard to imitate because it would require being as crazy as Garshell himself, whose five favorite video parts are listed immediately below this sentence.

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