Fulfill the Dream

October 9th, 2017 | 5:05 am | Daily News | 9 Comments

The Muska Epicly Later’d, in summary. After years spent pining for a Muska Epicly Later’d, and it finally existing, there’s now a vast emptiness. Who do we lobby for now? …wait, what if the answer is already in front of us? Standing in the right of the frame?

Although it’ll mainly resonate with audiophiles, Muska told the stories behind his ten favorite boom boxes as a supplement to the episode.

Genesis made a feel-good iPhone edit to wrap the summer up.

Bobshirt’s latest is with a [presumably buzzed?] Richard Angelides. Always enjoyed his non-rave music entry in Ty Evan’s 1997 rave film, and 11-out-of-10 trick selection.

Can’t tell what happened with this and why it is only going online now — as it was supposed to come out, like, literally four or five years ago (maybe they just waited for angst to start trending again) — but Death Video is now online in full. Features much, much younger versions of Tyshawn, Kempsey, Troy, etc.

With the potential end of Muni looming in the future, this was fun to watch (although admittedly, it is nowhere near as good the Big Three of Philadelphia skate spots) — The guys from Municipal Skateboards filmed a montage exclusively at the Philadelphia Museum of Art a.k.a. the Rocky steps.

The B.Q.E. Lot is set to be renovated by the D.O.T. at the start of next year, and it’s going to look exactly like that shitty space around the Flatiron Building with sandpaper ground and random rocks everywhere. Can’t we just get a ledge?

Online for the first time? The subway skating section from Colin Read’s Tengu.

A couple quick ones from Palace in the Puig era: Brady by Lucas, Lucas by Lucien.

Lacey Baker, Sarah Meurle and Josie Millard skate around Manhattan for a women’s shoe that Nike released. Max isn’t the only one who likes skating broken lampposts ;)

North Skate Mag has a chill interview with Mike Blabac.

“Does all this mean that New York is vanishing? Sure. But the deli wasn’t there forever, either. Vanishing is what New York does.” Roctakon’s brother wrote a rad thing about revisiting the Brooklyn delis that he had photographed back in 2008.

QS Sports Desk Play of the Week: This is the most Melo has passed in his career.

Quote of the Week
Torey Goodall: “What do you got there?”
Hydrated Gentleman: “A water.”
Torey Goodall: “An N.A? Nice.”

Weekend Viewing: Rhythm Skateboards – “Genesis”

January 11th, 2013 | 8:52 am | Time Capsule | 10 Comments

genesis

On New Year’s Day, Ty Evans announced that Pretty Sweet will be his final video with the Girl family. It is unclear whether he is moving on from skate videos entirely, but it makes sense for a dude who directed a Super Bowl commercial to seek creative opportunities that do not involve chasing 20-year-olds down stair sets.

Despite all the bitching and moaning on behalf of nitpicky skate nerds everywhere, be it about excessive slow motion in the past two projects or just too many high fives, there is no denying that Ty Evans influenced skate videos more than anyone else in the past decade-and-a-half. His work propelled skate videos beyond bro-cam status and gave meaning to the concept of professional skateboard videography. With Evans “venturing out,” we are looking back at Rhythm Skateboards’ Genesis video, one of his earliest projects.

Released in 1997, Genesis was Rhythm’s first and only video. It was a follow-up to an eight-minute Rhythm montage at the end of Silver, the Planet Earth video that Evans made a year earlier. (Does anyone know if Silver was his first video?) Many hallmarks of future Ty Evans projects were already there: synth-heavy music supervision, female vocals, art direction based on staticky nineties technology (which would re-emerge in Transmission 7), and yes, occasionally a good bit of “lifestyle” filler between each trick.