A 1995 Portral Into 2016

quim 5050

No matter how advanced things seem, fundamental artifacts remain timeless. When stuff gets too technical, too big and too hard to keep track of — simple, refined skating stands out amid the stair-counting. It’s part of the recipe behind today’s moment for small companies and slimmed-down trick lists.

Ride On is a 1995 Deluxe promo that doesn’t get the same nostalgic love as say, Non Fiction or Fucktards do. It resurfaced during a ATCQ #musicsupervision wormhole that turned into a Joey Bast wormhole once his Silver part ended.

The promo struck a chord for more reasons than the #pants. While it probably won’t incite the “come out today and still hold up”-hyperbole that was discussed last week, it does seem oddly current and in tune with what’s going on throughout skateboarding’s more refined palette today, particularly in New York. From Huf’s one-or-two push lines that include nothing more than 180s, trashcans, streetgaps and maybe a kickflip, to a time when a really good 360 flip off a bump was “enough” to end a section off with — it all came back with a vengeance as we began to drift away from the age of after-black hammers and taking five years to film a video.

Added bonuses are Quim beginning his reign as the greatest two-5050s-in-one-line practitioner ever, front of Union Square lines that wouldn’t look out of place if they were HD in a 2016 Johnny Wilson video, Ethan Fowler skating Pier 7 unlike anyone famous for skating Pier 7 would skate Pier 7, and Ryan Hickey doing a four-trick Astor line that’s about half as long as the 44-second YouTube compilation of all his footage.

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Thought It Was a Drought

forrest

Just take me to a spot that’s famous.

“In March, Kelvin and the other patinetos left San Salvador in the dead of night, and skated three hundred and fifty miles through Guatemala to the border town of Tecún Umán. That was the easy part. It’s fifteen hundred miles across Mexico, much of it past growing ranks of Mexican immigration security agents, kidnappers and extortionists.” How four dudes skated from El Salvador to the U.S. to flee gang violence …and here we are complaining about how some spot in Bushwick is too far.

A three-minute Challex Olson Instagram footage compilation. He’s singlehandedly keeping 12th & A alive to the world outside of the East Village.

Frozen in Carbonite re-casts a City of God reboot with Brazilian skateboarders.

Much respect to the guys at Blue Tile Skate Shop and Jim T. at Real for their protest against a Klan rally that happened in Columbia, South Carolina this past weekend. (Yes, this country still has fucking Klan rallies.) Here’s a good article from earlier this year about the creation of Jim’s “Hanging Klansman” graphic.

Here’s long iPhone video with the MPC™ / Paych / Sure guys, and here’s a short iPhone video with the MPC™ / Paych / Sure guys.

New part from Chuck MVP, one of the stars of legendary Instagram compilations, Dime Comp Volume 1 and Dime Comp Volume 2. Also features the forever underrated Canadian, Andrew McGraw. #freegucci

This dude nose manualed up Black Hubba.

Skateboard Story interviewed German Nieves, cult hero at the QS office and runner up for best new old part of 2015 (#1 = this), about starting your own brand in 2015.

An interview with the girl behind Girl.

Transworld posted their “AM Spotlight” interview / photos with Antonio Durao. He also switch 360 flipped the double-set at the L.E.S. Park this past weekend. When does the Love Gap get drained again?

ICYMI: Solid new all-HD LurkNYC montage, and an “old” new Jake Johnson part filmed in one day during a stopover in Reading, Pennsylvania.

The marble mini hubbas in midtown are a wrap.

Quote of the Week: “Nobody looks unhappier than people who are really good at skating transition.” — Roctakon

As DS2 blares through portable speakers for the remainder of the summer, let’s take a moment to revisit the classic intro off the ANCIENT original Dirty Sprite mixtape from 2011. Amazing how probably zero other “hot” rappers from back then are #relevant now. The game’s rough man.

Also, shout out to Future for using a Shutterstock image as his album cover.

The Events That Defined New York City Skateboarding in 2012: 20-16

stuytownrail

Big news of the day: Google Maps is back for iPhones. Did anyone ever try going on a road trip with that Apple Maps app? It was horrible. Anyway, here is the second installment of our “Year in Review” series. Previously: #s 25-21.

20. Stuy Town Rail Becomes a Normal Spot

New York’s main contribution to the “skateboarding is beginning to look like rollerblading” theory (see: recent advancements in ledge dancing, 16-flat-16 handrails) was this rail’s transition into something people actually skated the whole way down. Before, it was only utilized for quick grind-to-pop-in tricks on the handicap ramp (Alex Olson does a feeble pop over on it in the Pretty Sweet bonus section) and near-death experiences for those attempting to slide the entire thing (Kerel Roach in the 2004 ABC video / maybe Remedy.) In the past year plus, Kevin Tierney boardslid it, Jonathan Ettman 5050ed it and some Australian will lipslide it next summer. (Sorry for all the parenthetical asides…)

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Peter Ramondetta ‘Since Day One’ Remix

“It’ll probably be edited to Bone Thugs or some shit.” — “Quartersnacks” Google Alert from the Slap message board discussing the Ramondetta remix. One of the finer moments in QS Google Alert history.

No, it’s not edited to Bone Thugs. But it is edited to something equally irreconcilable with any soundtrack expectations you’d have for a Peter Ramondetta part, much in the tradition of that time Westgate went to Mars. Considering No Way Out holds “First CD I ever bought in my life” status for a sizable portion of the Quartersnacks front office, utilizing one of its better-known moments is long overdue. Anyone could hypothetically skate to this song. It doesn’t discriminate. (P.S. One last Real Since Day One clip with *unseen* footage coming soon.)

Alternate YouTube Link: Colossal sized Picassos

QS Re-Edits: Democratic Edition

(Photo stolen from Travis Jensen’s Flickr page. More details about the photo, Hubba Hideout, San Francisco, etc. can be found in this old post. “Imagine working a shitty job and copping that flick one day.” — The G-Man.)

As per the results of your votes for the third installment of the QS Since Day One remixes, Peter Ramondetta’s part is the next, and final full-part chapter from the video. If you’re familiar with this website’s soundtrack biases, and have seen a Ramondetta part before, you already know that the music associated with each couldn’t be further apart. Luckily, the crew at Real is pretty “Do whatever the hell you want” about everything, allowing us to create perhaps the first non-metal / AC/DC / angry-white-music Ramondetta part. Sorry to disappoint the people (i.e. Marquez) who would blurt out “Don’t say motherfucker, motherfucker” at random moments for the entire year after Roll Forever came out. We’d consider utilizing Turbonegro if they had a song with a 2 Chainz feature. They might just be the only musical act on the planet who have yet to summon his services for a guest verse.

Teaser below. Remix online next week. Extended Since Day One B-sides to follow. Still waiting on Ty Evans to get in touch with us regarding a honorary Pretty Sweet guest edit slot. Previously: Dennis Busenitz remix, Ishod Wair remix, DVD extras + Todd Shaw re-edit.

Have a good weekend.