Monday, Call the Girls, Get ‘Em Linked Up

April 9th, 2018 | 5:00 am | Daily News | 9 Comments

Photo by Jason Lecras

We have a capsule with Nike SB releasing this Saturday, April 14. It’s definitely our best one! More info soon ♥

Gonna throw in an early left field link, but the Pass~Port in Greece edit is the best (i.e. watched it more than once) trip edit that’s dropped during 2018’s Winter Getaway Footage Dump Season (yes, I know Australia is in the southern hemisphere.) It’s always nice to learn of some nice new songs in a skate edit too :)

“That’s what I keep telling myself, ‘maybe in ten more years.’ Those ten years go by and I’m still not ready. Actually, I’ve come to terms with it, this is it.” Skate Jawn interviews productivity legend, Dave Caddo.

“In a Warhol-esque version of a future skate industry where 1% of pros earn lavish salaries and the rest ball for position, will everyone have their own brand, with price-points scaling higher in accordance with gnarliness and footage releases?” Boil the Ocean on pros’ t-shirt ventures, and the cult of Jerry Hsu’s Sci-Fi Fantasy brand.

Even if it is in the Times + includes the phrases “daredevils” and “neoliberal training grounds,” Jeff Ihaza’s feature on how skateparks came to be understood, accepted, and built passes the litmus test of linkable traditional news outlet skate coverage.

Noah Johnson’s GQ profile of the GX1000 crew does as well. (Yes, Noah skates.) “It’s frustrating shit when you almost die.” Yeah, dying seems pretty wack.

While the Times may think we “won,” we also lost one of the best ledges in lower Manhattan this past week. The deknobbed ledge at Seaport that was more-or-less a go over the past year-plus is now knobbed not only for grinds, but for manuals too! Cheers to the Parks Department for fulfilling God’s plan. You guys are so sick.

Weckingball is the latest guest on The Bunt.

Normally don’t care about “oh, so-and-so already skated to that song”-isms — especially in this fickle footage economy — but “Blowing Up Fast” holds a special place in many hearts. This guy does a line at Three Up Three Down, hypes up P-Rod, and has never seen Baker Has a Deathwish, which is totally fine because it’s almost ten-years-old now goddamn.

And on that note! Village Psychic interviewed Josh Stewart about the unwritten rules of #musicsupervision and editing gimmicks in skate videos.

Our friends from 2nd Nature did the “winter trip to Barcelona” thing.

QS Sports Desk Play of the Week: Everyone else is on the Sixers playoff bandwagon orrrr?

Quote of the Week
Rob Harris: “Yeah, Baker is having tricks in everyone’s part in the Alltimers video.”
Adam Zhu: “Oh, so he’s like the Gonz?”

The 2017 Quartersnacks Year in Review: 15-6

December 20th, 2017 | 12:37 pm | Features & Interviews | 8 Comments

Let’s keep her going til the Hardbody holiday party ;) • Previously in 2017: 25-16

Past Editions: 2016, 2015, 2014, 2013, 2012, 2011, 2010

The 2017 Quartersnacks Year in Review: 25-16

December 8th, 2017 | 2:08 pm | Features & Interviews | 3 Comments

It was a great year for skateboarding — especially in New York, but also beyond — despite being especially rough on humans otherwise. Let’s get this one rolling :)

Past Editions: 2016, 2015, 2014, 2013, 2012, 2011, 2010

The 2016 Quartersnacks Year in Review: 15-6

December 20th, 2016 | 1:36 pm | Features & Interviews | 2 Comments

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Keeping it moving with the new 10-10-5 format :) Previously in 2016: 25-16

Past Editions: 2015, 2014, 2013, 2012, 2011, 2010

15. Astor Renovation

Two years ago, we lost a zen-like intersection of flatground that intertwined with all vibrant walks of life — the greatest non-spot in this history of skateboarding. It was, however, replaced with actual skateable obstacles this year: decent-enough beveled benches, a gap that replicated BAM’s ledge-to-street gap, and a Flushing-width flatground gap that Jason Byoun switch Muska flipped. The spot’s original meditative qualities dissolved into cement fairy dust, but at least it’s something to skate for now, even if the overall aesthetic of the new Astor Place is “we ran out of money.”

Big Up…To All My Haters

September 22nd, 2016 | 12:42 pm | Time Capsule | 6 Comments

dey-know

Shawty Lo died in a car crash early yesterday morning. No, Lo has no place in the canon of skate video music supervision. In fact, he’s exactly the sort of artist whose music geriatric skater types will insist you are using “ironically” in YouTube comments.

Quartersnacks has often utilized a #musicsupervision approach akin to a video like Trilogy: a 1996 video full of songs released in 1996, mirroring what the people involved in making it were actually listening to during the time. For that same reason, there has always been a special joy in major videos using songs that soundtracked a summer, or helped us power through a winter. I had an ear-to-ear smile on my face the second I heard the “I Love It” beat at the start of Biebel’s Fully Flared section for the first time. Even in those middle school years when RJD2 was cool, there was something validating about hearing it in Mosaic.

That same joy of skate videos using songs that pushpin memories into your mind doesn’t exist anymore. A mixtape will come out, and by the end of the week, there are three Insta clips to songs off it, and at least one new video in your YouTube subscription feed using the same tune for a trip clip. Nobody is going to skate to “Brocolli” in a major video next year, and if someone does, who cares.

It was the the start of 2008, and Jeezy hadn’t released an album in over a year. This was when he was at the height of his powers — the most effective motivational speaker on a desperate planet approaching a recession, and in need of a spark. To hold us over, he dropped Ice Cream Man Part 2, which included the remix to Shawty Lo’s “Dey Know.” The regular version was everywhere at that point: the horns were infectious, and the initial beat drop is the sonic equivalent of when the ball swishes through the hoop for the win at the buzzer. The remix gave it a second life, soundtracking every skate trip car ride that spring, and essential at the parties that we were able to sneak into.

Most skaters in 2008 didn’t take the Trilogy soundtracking approach. They’d rather edit to a Big L song, or a remix of a Big L song, or a remix of a remix of a Big L song remixed by a guy who specializes in remixing Big L songs. Someone skating to “Dey Know” in the year it peaked would’ve been massive; it’s the perfect fit for the second part of a video. In 2009, it would’ve been cool. Nobody skated to it until 2013.

Theotis’ part in the Shake Junt video isn’t particularly seminal or even well-edited. It looks like they slapped it together with what they had, but it’s the only thing I remember from that video. It made me remember those spring night drives to skate the Bridgeport ledges, and those nights skating midtown with the “Dey Know” remix on the iPod. Hearing those horns over any sort of skating gave me the same feeling of first hearing “I Love It” in Biebel’s part, even if Theotis’ part in the chicken bone video was nowhere near the generation-defining event Lakai’s was.

There hasn’t been as profound of a moment for one of those songs that encapsulates an entire season in much the same way since — probably because they only muffle under skate noises from iPhone speakers now, 60 seconds at a time.

R.I.P. Shawty Lo. Big up…to all my haters.