Getting Them Royalties Dodging Them Bumblebees

It’s heartwarming to see world renown design principles from 12th & A make their way to skateable spaces all the way across the Atlantic.

“Their video Grains, filmed across the soybean belt of Illinois, Missouri, Indiana and Ohio, veers far off interstate arteries and urban sprawls to extract tricks from crumbling loading docks in Joliet, dilapidated stadiums in Gary, polished-stone plaza ledges in downtown Peoria.” As most skate content has drifted towards Instagram and nothing has much staying power, the idea of a “video review” has sadly become a relic of skate publications past. That’s a bit sad, considering a resounding, well-written recommendation of a not-so-obvious video (or something you simply neglected to click on) still means a lot. I bought Grains after reading Boil the Ocean’s new review of it, and can’t say I would’ve been compelled to do the same if I saw a part of it on Thrasher or YouTube with a Big Cartel link under it ♥

“The most dominant example of genre loyalty is DGK’s whopping 92% use of hip hop.” Someone culled Skatevideosite’s entire database of soundtracks and put together an infographic-based portrait of #musicsupervision in skate videos over the past four decades — and somehow, despite the fact it has been a recurring joke on here for ~10 years — Big L isn’t the most oft-used rap artist.

Head over to Live Mixtapes R.B. Umali’s Vimeo page to hear the full version of Zoo York’s Mixtape soundtrack with NoDJ tags no skate noises over the music.

Skate Muzik also did podcast with R.B. about how the iconic soundtrack came to be.

The water sports section from Spirit Quest, where they put a condom on a VX, is now online ;) …as is Ben Gore’s hill-heavy Static IV part.

Theories has an abridged history of any and all spot selection trends to take course over the history of skateboarding, though they left out some dismal low-points of recent spots on this side of the planet.

This feels like a clip that would’ve been on 48 Blocks ten years ago. In a good way.

Real is working on a documentary on Chicago’s Uprise Skateshop, and presumably ignoring a mountain of pitch emails from Paulgar about doing one on Autumn.

Jenkem with a lesson on pant sags and nut grabs in skate videos.

QS Sports Desk Play of the Week: NBA Champion, Nick Young.

Quote of the Week: “It’s easier to catch an octopus here than it is to get laid.” — Francesco

Chief Keef making Seaside Heights boardwalk music (and him sounding the most energized he’s sounded in years on it) is one 2018’s most unheralded developments.

Monday, Call the Girls, Get ‘Em Linked Up

Photo by Jason Lecras

We have a capsule with Nike SB releasing this Saturday, April 14. It’s definitely our best one! More info soon ♥

Gonna throw in an early left field link, but the Pass~Port in Greece edit is the best (i.e. watched it more than once) trip edit that’s dropped during 2018’s Winter Getaway Footage Dump Season (yes, I know Australia is in the southern hemisphere.) It’s always nice to learn of some nice new songs in a skate edit too :)

“That’s what I keep telling myself, ‘maybe in ten more years.’ Those ten years go by and I’m still not ready. Actually, I’ve come to terms with it, this is it.” Skate Jawn interviews productivity legend, Dave Caddo.

“In a Warhol-esque version of a future skate industry where 1% of pros earn lavish salaries and the rest ball for position, will everyone have their own brand, with price-points scaling higher in accordance with gnarliness and footage releases?” Boil the Ocean on pros’ t-shirt ventures, and the cult of Jerry Hsu’s Sci-Fi Fantasy brand.

Even if it is in the Times + includes the phrases “daredevils” and “neoliberal training grounds,” Jeff Ihaza’s feature on how skateparks came to be understood, accepted, and built passes the litmus test of linkable traditional news outlet skate coverage.

Noah Johnson’s GQ profile of the GX1000 crew does as well. (Yes, Noah skates.) “It’s frustrating shit when you almost die.” Yeah, dying seems pretty wack.

While the Times may think we “won,” we also lost one of the best ledges in lower Manhattan this past week. The deknobbed ledge at Seaport that was more-or-less a go over the past year-plus is now knobbed not only for grinds, but for manuals too! Cheers to the Parks Department for fulfilling God’s plan. You guys are so sick.

Weckingball is the latest guest on The Bunt.

Normally don’t care about “oh, so-and-so already skated to that song”-isms — especially in this fickle footage economy — but “Blowing Up Fast” holds a special place in many hearts. This guy does a line at Three Up Three Down, hypes up P-Rod, and has never seen Baker Has a Deathwish, which is totally fine because it’s almost ten-years-old now goddamn.

And on that note! Village Psychic interviewed Josh Stewart about the unwritten rules of #musicsupervision and editing gimmicks in skate videos.

Our friends from 2nd Nature did the “winter trip to Barcelona” thing.

QS Sports Desk Play of the Week: Everyone else is on the Sixers playoff bandwagon orrrr?

Quote of the Week
Rob Harris: “Yeah, Baker is having tricks in everyone’s part in the Alltimers video.”
Adam Zhu: “Oh, so he’s like the Gonz?”

The 2017 Quartersnacks Year in Review: 15-6

Let’s keep her going til the Hardbody holiday party ;) • Previously in 2017: 25-16

Past Editions: 2016, 2015, 2014, 2013, 2012, 2011, 2010

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The 2017 Quartersnacks Year in Review: 25-16

It was a great year for skateboarding — especially in New York, but also beyond — despite being especially rough on humans otherwise. Let’s get this one rolling :)

Past Editions: 2016, 2015, 2014, 2013, 2012, 2011, 2010

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The 2016 Quartersnacks Year in Review: 15-6

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Keeping it moving with the new 10-10-5 format :) Previously in 2016: 25-16

Past Editions: 2015, 2014, 2013, 2012, 2011, 2010

15. Astor Renovation

Two years ago, we lost a zen-like intersection of flatground that intertwined with all vibrant walks of life — the greatest non-spot in this history of skateboarding. It was, however, replaced with actual skateable obstacles this year: decent-enough beveled benches, a gap that replicated BAM’s ledge-to-street gap, and a Flushing-width flatground gap that Jason Byoun switch Muska flipped. The spot’s original meditative qualities dissolved into cement fairy dust, but at least it’s something to skate for now, even if the overall aesthetic of the new Astor Place is “we ran out of money.”

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