We Dropped ‘Duffle Bag Boy,’ They Started Takin’ Ideas

January 30th, 2012 | 8:30 am | Daily News | 16 Comments

THE MONUMENTAL 2 CHAINZ NYC DEBUT IS UPON US (AND SOLD OUT.) “I HAD MAD PEOPLE CALLING ME ASKING WHY I DIDN’T GET THEM A TICKET, I’M LIKE, ‘I DIDN’T EVEN KNOW YOU LIKE 2 CHAINZ.’”

“In 1992, I filmed an interview with my friend, former pro skateboarder, Jeff. Jeff was at the lowest point of his career. This footage has been unseen for almost 20 years.” Peter Sidlauskas = Oscar winner by 2043? Billy McFeely “Best Actor in a Leading Role” winner by 2036? Not no, right?

Kalis now owns two of the benches from Philadelphia City Hall. Skateboarding wins. (Supposedly, a bench like that runs for ~$5K, which means you could make a perfect skatepark with $30-40K, zero “ramps,” and a paved lot…)

Jimmy Marketti uploaded a montage of new old footage that looks like it came from the mid-2000s. Unseen Rob Campbell clips, Andrew Reynolds second angles, and a somber look at the original back of Union Square.

Some raw footage live from the Tompkins bench, a dive into the odd mind of Shawn Powers, and Tribeca Park stuff that you could probably skip. Tompkins > Tribeca.

While on the topic of nineties west coast company excursions to the east, this 1994 clip of the Girl, Chocolate & Firm east coast tour (from 411 #8) is worth a look. There’s a New York section at the end, but it’s mostly lifestyle clips.

A well-written, contemplative, and occasionally Freudian analysis of “why l*ngb**rds suck” by Will Staley. Naturally, someone in the comments posted a link to a video insisting “You have no idea what can be done on a l*ngb**rd. It puts skateboarders to shame.”

“Skateboards as props in rap videos hit a new, unforeseeable, low recently in Soulja Boy’s video for ’50/13.’ Dude on the left is holding a deck with no griptape, trucks, or wheels. It is not a skateboard; it’s just a board.”

A pair of interviews from two of the finest content-creators in skateboarding went online last week, and they’re definitely worth your time: Robert Brink and Patrick O’Dell. The O’Dell one should have been more in-depth, but whatever.

The Be Pretty video is now online in full. Highlights include a front 3 up Three-Up-Three-Down and a Flushing grate gap NBD, and a reminder that Big L was ahead of his time with the whole “From New York and never was a fan of the Knicks” thing, considering the current 7-13 mess we’re in.

Quote of the Week:


Last but not least, happy birthday to the G-Man. Hope to see you back living in New York this year.

IT IS NO LONGER NINETEEN-NINETY-NINE…

November 17th, 2011 | 3:35 pm | Quarter-Diary | 4 Comments

“The reason why I used that song is because that was another thing going on in my life. These dudes in Philly were holding themselves back, and they weren’t just having fun skating, and they were bitter and all that. I was like ‘Fuck you, man.’ This song was my ‘Fuck you’ to them.”

“I remember this line, I definitely could’ve re-filmed the last trick, but I was like ‘Fuck it.’”

Late on this, but watch it if you already haven’t. It unfortunately does not address the Black Rob switch up, which was epic, and the sort of thing Alien would never ever ever ever do again. Alien when it was still sort of hood in a weird way > Alien 2011.

Heard “Whoa” in da club in Miami last month, and it was amazing, especially considering we were all like 11-years-old when it actually came out.

It’d be sick if they did one for Stevie in The Reason or Chocolate Tour.

Related: Alien Workshop’s Photosynthesis Video: Ten Years Later

The Love Park Story

February 13th, 2011 | 10:05 am | Time Capsule | 3 Comments

I saw a 411 opener of Ricky olling two cans off a propped up tile, and I thought that was the dopest looking thing I have ever seen on a skateboard. I told myself when I go back to Philly, I’m propping up them tiles and skating over those cans.

If you spend any time on the skateboard-related part of the internet, you have no doubt seen part 2 of the Josh Kalis Epicly Later’d series. The series has already began dwelling on a lot of the east coast “golden era” stories, namely some of the lesser known political alliances that existed in Love Park as it was beginning to rise to prominence in the early-to-mid-nineties. Since the series is obviously more biographical of an individual (i.e. there’s obviously more to Kalis, Stevie, Ricky Oyola, etc. than just Love Park), it makes sense to share some biographical work that was done on the actual spot from seven years ago.

“Saga of a Skate Landmark” was a thirty-minute segment that originally appeared in the Winter 2004 issue of On Video Magazine. (For the few who may not know: On was a more documentary-esque approach to skateboard video magazines that lasted for the first few years of the 2000s, they would cover tours, skaters, and things like that, but their real strong suit was well-researched pieces like this, with solid interviews and archival footage. Basically, a lot like Epicly Later’d but less focussed on specific individuals as opposed to events, spots, etc.) The segment expands on a lot of the Kalis meeting Stevie story, and the Kalis versus Ricky angle, but overall, it is definitely wider in scope towards the actual spot, as it features interviews with the park’s original city planner, Photosythesis-era anecdotes, and plenty of amazing footage. The video used to be on Google Video, but has been giving “Not Available” errors for quite some time, so here it is on Vimeo.

Here’s the text message I received prior to seeing the new episode, as I was watching the Knicks embarrass themselves against the Clippers on Wednesday evening. It’s a humorous summary. Quote of the Day. Via Roctakon:

An Interview with Josh Kalis

November 12th, 2010 | 10:50 am | Features & Interviews | 41 Comments

Kalis is one of those dudes that has been around for many of the ups and downs of real, old-fashioned, straightforward street skating these past two decades. The Pier, The Banks, Love Park, the Barcelona exodus, hiding out in Chicago instead of a schoolyard somewhere, etc. Since this is the sort of thing we tend to try and keep going over here with QS, as much as the park/plaza climate of today seems to push us all in different directions, it seemed only natural to sit down for an interview with someone who has been through more than a handful of eras in street skating.

+++++++

To start it off, what have you been up to this past summer up until now?

I moved from Michigan to southern California.

Any particular reason you moved out to California?

Quite frankly, I was just tired of flying out here so often. I’ve been flying out here twice a month to be involved with stuff. Everything’s a little bit different now, because the internet now has videos and web blasts, and all this shit is happening so fast that they want you out here. And I couldn’t be so instant living in the Midwest, just trying to skate and film.

Is it because skate media and all that has changed so much recently, that you have avoided doing it up until now? It’s like, everyone moves out to southern California but it seems like you’ve been everywhere but there.

When I first got put on, I moved out here, just to see and I couldn’t deal with it. But it wasn’t really necessary for me, because I was trying to take care of my business elsewhere and I didn’t really have to be in this mix. But now, you still don’t have to move out here to be in the circle of pro skaters or whatever you want to call it, but it’s just to be as relevant as you can be, you have to produce five times more than you used to. Before it was like, do your thing, shoot your photos, film you video part, and it gets released at whatever date it comes out. Now it’s just like… you got warehouses, podcasts… It’s just like non-stop now.

What’s it like to finally be on a team with Stevie after you guys have been associated with one another for pretty much all his career, but a large portion of your career as well?

It’s the illest thing ever. It’s no sweat, no people breathing down necks, its just homie shit. “What do you want to do for this thing?” And you just have a little pow-wow and boom, it’s done. It’s so easy to brainstorm because we’re on such the same level, in terms of what we think about, what we want to do, and the future and direction that we hope to see skateboarding go. It’s just some back in the day shit, like it was growing up.

Do you guys still get a chance to skate together out there?

We haven’t much because he spends most of his time in Atlanta, and I’m out here, but now when we talk on the phone, we get to talk about shit that we’re both involved in, even though he’s doing his thing there and I’m doing my thing wherever I’m doing it. Even though I live in southern California, all my street skating stuff happens elsewhere. We got this new warehouse cracking in Atlanta, so we will be [skating] soon.

Is there truth to the fact that he was supposed to have got on Alien way back, like in the mid-nineties?

Oh yeah. There’s a lot of truth to that.

Fakeass Hurricane, yo!

September 3rd, 2010 | 2:37 pm | Daily News | 9 Comments

“You’re posting DGK ads now? How does this tie in? Is this the CORPORATE TAKEOVER? Are you getting checks from Kayo?!” No, it’s just that this guy is up there with Steve Nash and John Stockton as one of the finest white athletes of the modern era.

Friday links…

“The National Hurricane Center is now predicting that Earl, which went from a Category 4 hurricane with wind speeds of 145 mph to a Category 2 storm with winds of 105 mph Thursday, will likely be a Category 1 hurricane with winds in the 80-mph range by the time it passes Long Island late Friday about 150 miles to the east.” Basically, we’re good.

The Pre-2k DVD is available at Supreme, Boundless in Brooklyn, Poets in Long Island, FTC, and 2189 in Erie, PA. The final runtime clocks in at around an hour. QS review of the video here.

Nike posted a clip from Berlin that involves King Youness demonstrating that doing a 5-0 360 flip out for him is sort of like doing a backside tailslide for anyone else equipped with a lesser degree of skill.

48 Blocks did an interview with Steven Cales. The Chrome Ball Incident did an interview with Jason Dill. Those two sites account for a sizable portion of the skateboard-related multimedia world worth checking on a daily basis, so you should have already read them by now.

Some Billy Waldman outtakes from long, long time ago. New York used to have a lot of good bank spots.

A fourteen-year-old kickflip front boarded the Amsterdam Rail. But age doesn’t really matter anymore.

Taj Cam 12th and A episode featuring Jason Dill and 50 fighting.

The ledges at the 101 Park Avenue building on 40th Street and Park Avenue, most importantly used for the exterior shots of Kruger Industrial Smoothing, are no longer skateable, due to the building installing planters on top of all the lower level ledges. It was never the best spot, but it was the closest thing midtown had to California-style stadium ledges. Minus the whole grinding part.

The Terminator Rail has scaffolding all around it, making it temporarily unskateable. Hopefully, this has no bearing on your lifestyle whatsoever, but a heads up nonetheless if your life involves taking people around to handrails.

Why doesn’t anyone skate this ledge on 46th Street? It seems like someone should have done an ollie over to lipslide or a nosegrind through the keyhole by now. The ground isn’t the best, but it is wholly workable. There are some things to wallie on the other side too. You don’t get kicked out that quick either.

If you miss the glory days of New York rap, when Maino wasn’t the only close thing to rapper getting burn from this city, this 74-minute Roc-a-fella mix spanning from 1998 to 2004 is worth a download.

Quote / Dumbest Statement Ever of the Week

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