Vote or Roll Your Ankle

Young Chop[s] on the beat scan

New Jahmal Williams footage is an honor and a privilege. Him and Steve Brandi share a jazzy seven-minute section on the occasion of Hopps’ collaboration with Converse, composed by Static auteur, Josh Stewart. It’s one of those rare videos that you just watch with a smile on your face the whole time. And shout-out to Steve Brandi for his commitment to the iconic Paine Webber benches.

Also re: fountain of youth, the 39-year-old Dave Caddo has a sick New York part on Thrasher, which scours all the unturned crust the city has to offer.

“The rest of the boroughs, excluding Staten Island, have had so many regular Americans move into the neighborhoods, spreading the disease of uptight suburbanites. The average mainland American is just more concerned about the use of private and public property. Maybe I’m wrong, but I like my theory…The Bronx has Bronx hospitality, and I think the average person in the Bronx is more socially advanced.” Caddo also has an awesome follow-up interview on Thrasher that discusses the complacency of finding spots in New York, his favorite borough (guess), and more insight into his ability to film a part here full of fresh backdrops.

Canal has a full clip from the new spot out by Owl’s Head, which I guess is being called “The Salmon Spot.”

The New Yorker did a feature about this year’s trio of skateboard movies, and how they advance the current draw in Hollywood towards casting non-actors.

“But when I dropped in I was like, ‘Damn, why that ramp is moving?’ I thought I was on acid or something.” Harold Hunter retells the story behind his most famous slam.

Tombo and Richard Quintero run down the history of every Californian’s favorite place in New York to huck, D7. Fwiw I think Kerel was the first to ollie it, and btw, Antonio switch tre’d it (lol.)

The latest episode of the “Skate Muzik” podcast chronicles the #musicsupervision of the Static series with Josh Stewart.

Real celebrates 25 years of having Huf on the team with a remix of all his past parts + an interview with some new footage of him cruising around Lower Manhattan.

This is one of those videos where you think the editing is going to mellow out after the intro, but then it just stays that way for the whole time. “Lentiicular” is a montage from Carhatt-WIP, and features Roman Gonzales, Andrew Wilson, Chris Milic, et al.

“As the human attention span shrinks to rival the goldfish’s, ’tis it better, in pursuit of longevity and countercultural heft, to regularly shed teamriders every few years or hold to the original foundation of dudes as long as can be?” Boil the Ocean takes a ponder over Element and Girl’s new videos.

This is like when Kevin Durant signed with the Warriors, except Tiago Lemos might actually be better at skateboarding than Durant is at basketball, if that’s imaginable.

Critter” is a nine-minute video of an American road trip featuring a bunch of Pass~Port guys, and has an ender section in New York.

Can’t tell where this “Mud Monsters” mini vid is based out of, and can only pick out a few Chicago and New York spots, but going to guess Texas (?) because it’s maybe the first time I heard Z-Ro in a skate clip, but also have no idea what any Texas skate spots look like, but also also also it’s a fun watch regardless ¯\_(ツ)_/¯

QS Sports Desk Play of the Week: D. Rose, D. Rose, D. Rose, D. Rose.

Quote of the Week: “Oh shit! I gotta watch Corey Duffel’s new part.” — Adam Zhu, morning after Halloween

Calling all nerds / hoarders: Does anyone know if there’s an existing copy of the DNA Continuum DVD left on earth? Sources say that the video as a whole is whatever, but it would be nice to update the internet’s only existing copy of Jahmal’s part from the 240p upload on YouTube that is probably older than Kader.

Have A Bagel Alright Guy

The Quasi video is now online.

“What’s the story behind Harold’s ‘Cheer Up, Bagel’ remark?” We finally learn the origin of the greatest sound byte in skate video history (“sometimes I wanna live and sometimes I wanna die” is runner-up) via Chrome Ball’s new interview with Dan Wolfe.

I C Y M I.

“The production numbers were so large that when I was on a solo trip to Korea tasked with moving production from one factory to the next, during a business dinner at a 5 star restaurant with the factory owner, I was told through a translator that, ‘The factory owner would like to inform you, that he can kill a man in this country and their body will never be found so you might want to change your decisions too.’” — Anthony “The Writer” Pappalardo tracks down the history behind the Osiris D3 with its designer.

Though he let up on the gas a bit since he got robbed for S.O.T.Y. by the third #big #rail #skater to get it in the past three years, Village Psychic offers up a mid-year remix video of Tiago’s stray bits of coverage to emerge these past seven months.

Jahmal Williams’ favorite skateboarder is Ray Barbee

Kyota remixed his part from Bot Video 2. Watch the full video here.

Rory Milanes = the new Chad Muska, and Thrasher posted their Palace in Hawaii article and photos online.

“Think of this magazine as a platform for you — yes, you! — to showcase what it is you do for skateboarding. Wherever you are. Whoever you are. Because as you’ll see here, skateboarding can really be anything you want it to be. It’s just a fucking toy after all.” Vice has an interview with the creators of Skateism, a magazine focused on nontraditional and underrepresented corners of the skateboard universe.

J.B. Gillett returns to San Francisco and Embarcadero for the first time since moving there all the way from France at the age of sixteen.

Jenkem runs down the history of Blubba with R.B. Umali and Steve R.

Hot take: midtown night footage looks better than 99% of cellar door footage.

Skate Muzik interviewed Mike Gigliotti from Lottie’s Skateshop in their latest episode.

You most likely caught it already, but Tao put together a southwest U.S. edit with Cyrus, Max, et al. for Nike SB, and I’ve had that Sunday night at Sway song stuck in my head all week.

Quote of the Week: “If it starts snowing tomorrow, I’m not even mad. Summer 18 has to end, g.” — Will Marshall

In an age of tuning out pre-roll commercials before skate parts, this line and song are still burned in everyone’s brain — it’s The Chocolate Commercial™, after all. The word “timeless” gets thrown around a lot, but it is hard to imagine this ever looking dated.

A Short History of New York’s Longest Lines

Ricky Oyola, godfather of the east coast “filming a line via just skating random shit on the street”-practice, once expounded on his peak skateboard dream: doing a line through Philadelphia’s then-standing City Hall, into the street, up into the Municipal Services building, back down the stairs, across the street, into Love Park, through Love Park, and end at Wawa.

The closest he got on record was a line from the end of City Hall, through the intersection, and into Love Park in Eastern Exposure 2, but it did establish a lingering precedent for connecting spots. Apart from Ricky and that Joey O’Brien Sabotage 4 line where he starts at Love and ends up in the garage beneath it, spot connecting does not have a rich history in Philadelphia.

Or anywhere, really — because doing a line from one spot, through the street, and to another, is fucking hard. There are variables (people, traffic, pebbles, maybe two sets of security, acts of God), and a pressing anxiety of missing the final trick in an already-long line, which gets amplified by the fact that fifteen other things went right up until that point. As you will soon learn, spot connecting is something most people do for the sake of doing it. In the majority of cases, they stick to their safe tricks.

Like Philadelphia, New York is a dense and layered city. Many of its streets are narrow, and depending on where you are, three or four spots could be across from one another. New York never had a “Big Three,” but it does have three different types of benches on four different street corners, and over the years, skateboarders here have kept their third eyes open and far-sighted.

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Skateboarding & Color Coordination — A Retrospective

A #NYFW Special Report

Words & Interviews by Frozen in Carbonite
Photo Collages by Requiem For A Screen

Skating writ large prides itself on a “no rules, bro!” ethos. #Menswear, an entity with which skating has become increasingly intertwined of late (via Vogue Skateboarding Magazine, etc.), has all kinds of rules. No black belt with brown shoes. No wearing white after Labor Day. One’s tie can’t go past one’s belt. Skating has no such faux pas — except for MAYBE brand-mixing — i.e. one can’t wear a Venture shirt if one is skating Indys or Vans socks if you’re wearing Nikes.

But what if I told you that skaters have curated their own sartorial code for decades — painstakingly color-coordinating their shoes, shirts, hats, and even spots? However, the modern-day thrift store aesthetic has left color-coordination by the wayside, even as color-blocking seemed to make a comeback last year, or some shit. So, in conjunction with New York Fashion Week, enjoy this retrospective of color coordination while you’re waiting to get into the Wang party or whatever.

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50% Of The Time, The Answer Is Yes

Harold Hunter at the Bleecker Street Banks, 1994. Photo by Lance Dawes. Honestly can’t remember if this has ever ran as a headliner image before, but that spot has always stuck out as a “it’d be nice if that was still around”-spot, even though it was probably just a 2% better version of the McDonald’s Banks in Brooklyn ¯\_(ツ)_/¯

Rest in Peace, C.J. Tambornino. “C.J. put the ‘G’ in genuine.”

“Don’t drive through Arizona acting like an idiot staying awake for days at a time.” The Bunt came through with what we’re going to dub “Everything you ever wanted to know about Brian Wenning but were afraid to ask.” The interview is brave, brutally honest, and a positive start to a new chapter in the life of someone we all looked up to as kids. Must-listen for anybody who came of age in the Photosynthesis and DC Video days.

A bunch of Canadians in Spain, with a handful of B-roll to “Yo, Best Idea.”

Always great to see new Philly Santosuosso footage, one of the hardest working men in skateboarding. (Always liked the way this remix came out, too.)

NESH” is a rad New York edit from Victor Garland, featuring every spot we were too lazy to venture out to when we had the “where do we skate?” debate yesterday.

There are mixed reports about the severity of the whole police situation right now, but be careful if you skate the new Brooklyn D.I.Y. spot. Apparently, *building* may be more of an issue than just skating. Max Palmer never hurt nobody.

Shout out to the Long Live Southbank organization for keeping ambitions running high. They started up a fundraiser (with a million dollar goal) to restore a section of the spot that has been closed and un-used since 2004. The promo video for it is sick. (And P.S. The Banks are never truly “back” until the city restores the small Banks.)

Philly is going from having three of the most iconic street plazas within one block of one another, to potentially zero by next summer. Place can’t catch a break :(

What would the internet be if it weren’t for remixes of Bloby Instagram footage?

The Mira Conyo squad threw a contest up at the 181 Park a few weeks back.

Jenkem has Tommy Koehne’s HYD video playing in full over on their site.

This seems like a fun way to spend three months :)

Why didn’t you chase her down dude?

The most common e-mail from the past week has been a size chart request for the QS swim trunks, so here you go. All sizes in both colors are still available — it’s a long summer and we stayed stocked :) Grab them before some guy with a job does. Also got a good size run in tees and some bags left. Thanks for the support everyone ♥

Quote of the Week: “In this day and age, it’s sicker to not get footage.” — Nik Stain