Alltimers’ ‘Bounce’ Video

Just as Warren Buffett off-loaded his shares in airlines given the foreseeable future of travel, skate companies have began doing the same with their stockades of footage from pre-COVID19 trips. Any clips from far-off lands coming out once we hit the dog days of the pandemic are bound to be dated by default — like, anyone who switched their pants game up in quarantine is gonna have a tough time convincing the skateboarding public that their Euro footage wearing last year’s silhouettes is current ;)

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Everything You Ever Wanted To Know About MACBA But Were Afraid To Ask — An Interview with @macbalife

Intro & Interview by Frozen in Carbonite
Illustrations by Charles Rivard

Way back when in the #90s, pay phones functioned as communication hubs for the Great American Skate Plaza. At my old local, Shafer Court, you could call the pay phone and, nine times out of ten, a gentleman would answer “Shafer Court” — as if it were a place of business! — and tell you if anyone was skating, who was skating, and such. The pay phone across the street from Pulaski and the one (if I recall correctly) by the Embarcadero Carl’s Jr. — same shit. These phones, working in conjunction with pagers, served as communication nodes for the culture.

Of course, as cellular phone technology evolved, this quaint element of skateboarding fell by the wayside. That is, until the advent of Instagram. Specifically, skaters started using this mad futuristic technology to A) document their scene, and B) provide skate nerds the world over with access to a culture that they would have otherwise envisioned solely in the Theatre of the Mind.

@Macbalife is one of the leaders in this field (at press time: 292k followers). We sat down with its creator to gain some insight into one of the most notorious spots on Planet Earth.

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Real Skate Boy Don’t Know How To Work a Spot App

Via Charles Rivard, PhD.

Boil the Ocean offers up some reflections on Knowing Mixtape Volume 2, as does Canada’s King Shit magazine. Agree that “every single clip is extraordinary in some way.” Three-and-a-half years of filming for a 17-minute video has a way of doing that — even the bails they put in there stand out in a very particular way that other videos can’t pull off. Also! Tiago for S.O.T.Y. every year until they give it to him.

This upload is from August, but only catching it now: “Fasuad” is a fun homie video by Marc Pascua. It’s all filmed around the city with some cameos from Mark Suciu, Frankie Spears, et al., and edited to a song that they would play at the healing crystal and plants store by T.F.

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Best Trick For a Louie Belt Recap

Illustration by Charles Rivard

It is a scientifically proven fact that you come back from a skate trip 38% stupider than when you left. And out of all the stupid things that we have brought home from a skate trip, a year-late / ironic / moronic (…I truly don’t know anymore) infatuation with “Sicko Mode” has to be among the stupidest souvenirs that we have ever given our loved ones upon return.

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Day Poker

We really blew it on missing this one in the 2017 color coordination piece. Iconic tho.

Here’s an eight-minute recap of the Hardies event at Blue Park this past Friday, which includes the best angle of Tyshawn’s kickflip over the table longways thus far.

The Man Who Films spent a lot of time in Rockaway this past summer and made a fifteen-minute video entitled “Beach Genius.” Everyone knows that Rockaway isn’t the most abundant part of the city for spots, so shout out to those guys for managing to avoid all the skateparks in all but one clip. Includes a mini Phil Rodriguez section where he somehow turns one of those blue bus shelters into an actual bank. And it’s also perhaps the first time in human history that there’s been a transition from Nicki Minaj to …MF Doom. Good vibe the whole way through, and the right amount of ~different~ ♥

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