Used To Be With Torey At Santos

January 29th, 2018 | 12:11 pm | Daily News | No Comments

Official Grammy Afterparty

Sean Dahlberg has a sick new 11-minute clip featuring tons of 917 video outtakes, Max Palmer doing a hardflip, and John Choi footage. (Related.)

R.B. Umali and Ron Deily with the best “guy skating around Lower Manhattan on a weekend” clip in while. Haven’t seen anyone skate that Robert Puleo bank in forever :)

TWS uploaded Charlie Cassidy’s ender part from John Valenti’s new video, NY Archive. The frontside kickflip over the big rail in the Westside Highway Park is pretty wild, and is that the first multi-level Reggaeton Ledges line?

“We now enter a realm where seemingly everything been done, in which all eras exist simultaneously, where nothing and everything is cool and wack all at once everywhere.” Boil the Ocean re: what it takes to impress us in 2018, and Ty Evans.

Volume 8 of Elkin Raw Files. One of the best ones yet.

Josh Stewart talks to the Nine Club this week + Brian Panebianco and Ryan Higgins talk to Philly’s “City Wide” show.

Chris Mulhern mashed up some of his favorite clips from the past few years into a “Second Sighting” montage, which includes a bunch of T.J. footage at the beginning.

A couple new clips of Stevie Williams skating in Barcelona via…this Weed Maps clip.

B.J. Wishard uploaded all the parts from his NJ-based video, Way Cool, to YouTube.

Not New York, not east coast, not even North American! But this Remy Tav “Welcome to WIP” part is really sick. Fully yelled at the screen when he clipped on the final ollie.

A true testament to the abysmal state of skateboard Twitter is the fact that after ~eight years of being on there, the Quartersnacks account’s most popular post is of a scooter kid focusing a skateboard. Maybe they really are taking over!

“Stripper punched out my teeth after I called her a bad mom.” Good. “One of the restaurants I was interviewing for was called, ‘Smile.’”

Sremmlife 3 is going to be a triple album but they haven’t given us a release date. “The only human on earth I’d trade places with is Swae Lee.” — Pryce Holmes.

QS Sports Desk Play of the Week: The guy who reposted this on Twitter probably summed it up best…”You’d have trouble defending this with a shotgun.”

Quote of the Week
Ashamed Gentleman: “I actually don’t know how to powerslide.”
Max Palmer: “I wish you didn’t tell me that.”

Culture ¯\_(ツ)_/¯

Summer Reading* Round-Up: Love, That’s A Crazy One & A Skateboarding Annual 3

August 2nd, 2017 | 5:00 am | Features & Interviews | 1 Comment

*Asterisk because two out of three of these blurbs are for photo books, with one of them (the first one) having probably less than a thousand words overall. Anyway, all three of these came out over the course of the past few months, and all of them deserve your time, especially as August grinds the skateboard news cycle to a near halt. Shout out to everyone putting cool shit on pieces of paper and sharing it with the rest of the world, whether it’s a ‘zine, a book or whatever the hell else ♥

Love — Paradigm Publishing

Love is less a book of skate photos, and more a visual essay of what skateboarding looks like when it’s forced to become a form of protest.

Jonathan Rentschler’s book tells the story of Love Park’s final years — a period most visibly represented by Brian Panebianco’s Sabotage series — in black and white photographs. Love was the first time I felt genuine anger while looking through a book about skateboarding: anger at the cops raising up skateboards in smiley triumph as the confiscate them, anger at police officers pulling people by the hair after they throw them to the ground, anger at the politicians attending a groundbreaking ceremony for the park’s destruction, who will no doubt spend as little time in its remodeled incarnation as they did when they were leading a stubborn crusade against the thing giving it life. These images are interjected with a portrait of the community that corralled in a place they were told was not for them. This is not limited to the skaters, but also fringes of society who those same faces of civil service often prefer to ignore.

Video Review: Format Perspective

October 12th, 2012 | 9:10 am | Features & Interviews | 5 Comments

Review by Galen Dekemper. Galen recently went digital with Dollar Stories, his series of ‘zine-style short stories that are available at various stores throughout the city and out of his backpack. “Two Dollar Dances” is probably the most notorious of the bunch. Buy a digital dollar story today.


Most skateboard media displays mastery as representative of much larger voyages. Four visits to a spot results in one photograph. Four years of filming and one may have a video part. The mystique of the trick conquers all, again and again. Format Perspective is Philip Evans’s documentary of six European photographers. Format Perspective is less of a highlight reel and more of a touring anatomy of scenes and sessions. Carhartt-WIP produced the multimedia object, an hour long DVD bound with a 132 page photo volume.

The title Format Perspective refers to how every media device frames then exerts authority over the viewer’s gaze and vantage point. We must see through the capturer’s eye. Each photographer has a ten-minute segment filled with explanations, recommendations and recollections, then music over photo and video montage of shredding. Super-8 film means grainier footage and photographs that appear in sharp contrast with zooms and pans that further direct our gaze. We see how the photographers find their angles and the points at which a kickflip or nosegrind 180 is most visible as such.