Not A Review Of A New Transworld Video

March 23rd, 2017 | 2:12 pm | Daily News | 14 Comments

dances

I can’t remember the names of the last four Ghostface albums and I can’t remember the names of the last four Transworld videos. I haven’t been waiting for either to live up to some expectation that waned well over a decade ago, either. The last dozen-plus Transworld videos have come and gone. There were some good parts, but they’re no less immune to one-and-done Instagratification wormhole that gets talked about by anyone giving a skate interview in 2017.

It seemed like we all agreed on this. Except people have had a lot of, um, not the nicest things to say about Riddles in Mathematics. First, The Bunt went in on it, then the comments on the Ben Gore part that was live for twenty-four hours — fidgety filming, GX and/or Colin Read envy, the soundtrack — skateboarders complain about everything, but apparently this one rubbed people in some way that the last five didn’t.

In the time since Transworld lost the website wars to more Biblical and Scientological outlets, it has been easy to forget that the magazine’s video program was once an eminent of a tastemaker in skateboarding. Transworld packaged Stevie/Kalis and Dill/A.V.E. better than even their sponsors. It prolonged the legend of Cardiel into a generation that was a decade removed from his S.O.T.Y. win. In Bloom predicated Tony T’s 2002 S.O.T.Y. trophy, and punctuated the release of Street Cinema. Heath Kirchart never got S.O.T.Y, but he had the Sight Unseen part. But that space where a Transworld video was an unmissable cultural event can’t co-exist with the internet.