You probably have to be of a certain age to appreciate the necessary bits of impending nostalgia, BUT in the early 2000s, the footage hierarchy went something like: 1) board + shoe company videos, 2) every other company video + video magazines, 3) the internet. E.S.T. was an east coast video magazine produced by Zoo York that never lived past four issues (QS ran an appreciation post of it six years ago in real years, 600 years ago in internet years.) It occupied a middle ground between the videos that hoarded footage for three years and Metrospective/OfficialNewYork.
Since then, the kid who did the hook on “Bling Bling” said he was the best rapper alive and a bunch of shit changed. NBDs filmed on an iPhone became fair game for public consumption five seconds after they were landed, and the internet evolved into a daily vomitorium of skate footage. HOWEVER, the final remnant of a footage hierarchy appears to be that things filmed on a Samsung phone are on that video magazine tier…in a non-video magazine age. So R.B. just dropped this edit filmed on the cellular device that only Matt Perez otherwise uses, and it feels like a decade-late follow-up to our beloved E.S.T.. From the bleep-boop stock music, to the jump cuts, to fun footage that still isn’t *quite* worth saving for a sponsor, to a commendable disregard of outer borough spots, to an editing vibe that’s been supplanted by #PFW runway close-ups and #skatevideohouse — every last bit of it is wonderfully nostalgic for a specific era in New York skating without having to like, play dress-up with the skater or scour YouTube for Beatminerz B-sides.
Surprisingly #onbrand to our current era re-piqued interest in early-2000s nostalgia — yet also modern in that I guess it uses the cellular device? ;)
OH, AND somebody finally used “Stick Talk” for a clip — a song that should’ve been used three Tiago Lemos parts ago.Tweet